Falak Bilal
Srinagar, May 6: For Tariq Ahmad, the delicate art of Kashmiri filigree jewellery—locally known as philgiri—is more than just a profession; it is a lifelong legacy. Having learned the intricate craft from his father during childhood, Ahmad has spent decades preserving a tradition that once thrived in the valleys of Kashmir.
Kashmiri filigree jewellery is an ancient art form characterized by fine, lace-like metalwork. Artisans skillfully twist, curl, and solder extremely thin threads of gold or silver to create lightweight ornaments. These include traditional pieces such as jhumka earrings and pendants, often adorned with floral motifs, lattice patterns, and cascading chains, finished in a subtle matte gold tone.
Ahmad recalls a time when this craft was widely practiced and highly valued. “In earlier days, there was great demand for this work. It provided a good livelihood for many families,” he says. For years, he supported his household through filigree craftsmanship, dedicating long hours to perfecting each intricate design.
However, with the arrival of modern trends and machine-made jewellery, the demand for handmade filigree began to decline. The craft gradually faded as younger generations showed little interest in pursuing it. According to Ahmad, the reason is clear: “This work requires patience and intense effort, but today’s youth prefer quicker and easier professions.”
Despite the challenges, there are signs of hope. In recent years, there has been a slow but steady revival of interest in traditional crafts, including filigree jewellery. Cultural awareness and appreciation for handmade artistry are beginning to grow once again.
Ahmad remains optimistic. He urges young people to reconnect with their heritage and learn the craft. “It is important for the youth to come forward,” he says. “Only then can we keep this beautiful part of our culture alive.”
As artisans like Tariq Ahmad continue their efforts, the future of Kashmiri filigree may yet find a new generation to carry its legacy forward.
