West Asia crisis casts shadow on Kashmir’s papier-mâché industry

Falak Bilal
Srinagar, Apr 03: The ongoing conflict in West Asia is casting a long shadow over Kashmir’s centuries-old papier-mâché industry, leaving artisans and exporters grappling with uncertainty, delayed shipments, and shrinking incomes.

Mirza Altaf Hussain Beigh, a seasoned papier-mâché artisan from Srinagar, says the crisis has directly disrupted trade routes and export cycles that many craftsmen depend on for survival. “Our business has been greatly impacted,” he explains, his voice reflecting concern. “Everything is not going well. Orders are delayed, payments are stuck, and we don’t know when things will return to normal.”
Kashmir’s papier-mâché craft, known for its intricate hand-painted designs and vibrant colors, has long relied on international markets, particularly in West Asia. Countries in the region serve as key buyers, with demand peaking during festive seasons and tourist cycles. However, the ongoing war has disrupted logistics networks, slowed cargo movement, and increased shipping costs.
Exporters report that consignments are either being held up or rerouted, leading to missed deadlines and strained relationships with overseas clients. For artisans like Beigh, whose livelihoods are closely tied to these exports, the consequences are immediate and severe. “We work for months on these products,” he says. “If they don’t reach the market on time, the entire effort goes to waste.”
The crisis has also created a ripple effect across the local economy. Many artisans operate in small family-run units, employing skilled workers who depend on consistent orders. With uncertainty looming, workshop activity has slowed, and some craftsmen are being forced to look for alternative sources of income.
Industry observers warn that prolonged instability could have lasting consequences for the heritage craft. Papier-mâché is not just a business in Kashmir—it is a cultural legacy passed down through generations. Reduced demand and financial stress could discourage younger artisans from continuing the tradition.
Despite the challenges, artisans remain hopeful that stability will return and trade routes will normalize. “We have seen difficult times before,” Beigh says. “But this craft is our identity. We just need support and some relief until things improve.”
As the conflict continues to unfold, Kashmir’s papier-mâché community watches closely, hoping for peace—not just for global stability, but for the survival of their art and livelihood.